Custom engagement rings
You pick the stone together, decide between 18-karat for daily wear or 22-karat for a deeper yellow, and approve a wax model before any metal is cut. Sizing is confirmed on the final fitting, not guessed from a chart.
Most clients arrive with a specific moment in mind, not a catalogue number. Below are the situations we handle most often, and what actually happens in the studio once you bring the piece or the idea to us.
You pick the stone together, decide between 18-karat for daily wear or 22-karat for a deeper yellow, and approve a wax model before any metal is cut. Sizing is confirmed on the final fitting, not guessed from a chart.
Families often order a full set at once: necklace, earrings, bangles and a chain that share the same motif and finish. We keep the whole order on one timeline so nothing arrives out of step before the wedding.
Heirloom pieces come in with worn clasps, stretched links or dull surfaces. We assess what can be restored without erasing the original handwork, then resize and polish ahead of a festival or family ceremony.
A chain that keeps opening, a ring with a shifting claw, a pendant that lost its bail. Bring it in for a condition check first; we explain what is safe to fix and what is better left untouched rather than risk the setting.
Slim chains, plain gold bands and low-profile diamond studs designed to survive daily wear. Cleaner lines, fewer snag points, and settings chosen so the piece still looks right after years of use.
Filigree, jali patterns and carved detailing worked by hand in the studio. These pieces take longer because the surface is built up rather than stamped, and the finish is decided with you at the sketch stage.
Every commission moves through the same path: consultation, sketch, stone selection, sizing, in-house setting and finishing, then a written quote, timeline and care guide. See the full breakdown on our services page, or read how we work on the approach page.
Most of our clients arrive with a specific occasion in mind, and they stay because the work is done under one roof, by people they can actually talk to.
Setting, polishing and resizing happen in our own workshop. Nothing is sent out to a third party, so a ring that needs a stone tightened before a wedding can be handled without a chain of middlemen.
You see the karat, the stones, the sizing and the timeline in writing first. If a design needs adjusting to fit what you had in mind, we change the sketch, not the final bill.
Heirloom temple jewellery and worn chains often carry more meaning than anything new. We check what can be restored, what should be left alone, and explain the difference before touching the piece.
Ceremonial pieces follow the South Asian patterns families ask for, while office and casual designs stay lighter and simpler. Both come from the same bench, so a bridal set and a plain gold chain can be commissioned side by side.
Every commission ends with a care guide and a record of the work carried out. If a piece comes back years later for resizing or a new setting, we already know how it was built.
Curious how a commission actually runs? Read the studio approach or browse the services we take on.
A few definitions and conditions that come up most often during consultations. Reading them first saves time later, whether you are ordering a bridal set or bringing in a chain for repair.
Every piece is shaped, set and polished in our own workshop. We do not resell finished stock as bespoke work, and we do not describe a piece as handmade if a machine cut the setting or the filigree.
Karat and stone weights are stated on your written quote. If a stone is replaced later, or a piece is resized, the original specification no longer applies and we issue an updated record.
Older temple jewellery and inherited gold can carry weak solder joints or worn claws. We explain what can be restored safely and what should be left untouched to protect the original character of the piece.
A commission moves forward only after you approve the sketch and the quote. Timelines given at that point are estimates based on stone sourcing and workshop load, not fixed guarantees.
Ring sizes measured in summer can feel tight in winter. We note the season and the finger on your order, and one resizing within the agreed range is part of the commission.
Each finished order is handed over with a care guide and a written record of the work carried out. Keep both; they help us match materials and finish if the piece returns for service years later.
If something in your situation is not covered above, mention it during the consultation. We would rather clarify an assumption early than adjust a finished piece later.
A look at the situations that bring people into the studio, and what the work actually involves once a commission or repair is underway.
A family planning a wedding often brings a reference piece and a colour they want to match. We sketch the necklace, bangles and chain together so the karat and finish stay consistent across the whole set.
A favourite chain with a worn clasp, or a ring where a stone has started to shift. We check the setting under magnification first, then explain what can be restored and what is better left untouched.
Pieces passed down in the family often need resizing and a gentle polish before a festival. We keep the original motifs intact and document the work carried out, so the history stays with the piece.