Custom engagement and wedding pieces
You pick the stone, the karat and the profile; we build the ring or full bridal set around it. Sketches and a wax model come before any metal is cut, so you see the proportions while changes are still easy.
Most of the work that matters happens between the first conversation and the final polish. Here is what you can count on when you bring a piece to Shikhar Jewellers, whether it is a new commission or a repair that has been sitting in a drawer for years.
Curious how a commission unfolds from sketch to finish? Read the walkthrough in From Sketch to Finish, or talk through your own piece on the contact page.
You pick the stone, the karat and the profile; we build the ring or full bridal set around it. Sketches and a wax model come before any metal is cut, so you see the proportions while changes are still easy.
Antique-finish necklaces, jhumkas and bangles worked in 22-karat gold, with filigree and granulation done by hand. We can follow a family design you bring in or adapt a motif you have seen elsewhere.
Lighter pieces meant to be worn often: plain and textured bangles, rope and box chains, small pendants. We size them to your wrist or neckline rather than to a standard chart.
Claws are set and tightened at the bench, then the surface is polished or given a matte finish depending on the design. Nothing leaves the studio for setting, so the piece stays with the same hands throughout.
Ring resizing, clasp replacement, chain soldering and re-tipping of worn claws. We start with a condition check and tell you plainly what can be restored and what is better left untouched.
Before work begins you get a clear quote and a realistic timeline. When the piece is handed over, a care guide goes with it, covering cleaning, storage and when to bring it back for a check.
Six areas of work cover most of what walks through our door, from a first engagement ring sketch to a chain that needs a new clasp. Everything below happens in-house, which means fewer hands on your piece and a clearer answer when you ask where it is.
We start with the stone, not the catalogue. You choose a diamond or coloured gem, we talk through 18-karat settings that hold it securely for daily wear, and the ring is built around your hand size and the way you actually use your hands.
Necklace, earrings, maang tikka and bangles designed as one set so the motifs line up instead of merely matching. Most bridal work is done in 22-karat gold for the deeper yellow tone, with stone work added where the design calls for it.
Antique-finish pieces with repoussé work, granulation and traditional South Asian motifs. These take longer because the surface is built up by hand, and we usually recommend a matte or lightly oxidised finish rather than a high polish.
Made to measure, which matters more than people expect. Wrist measurements change, clasps wear, and a chain that sits wrong will sit wrong forever. We size, re-link and re-clasp pieces here rather than sending them out.
Loose claws, worn shanks, broken links, stretched rings, snapped chains. We inspect the piece first and tell you plainly what can be restored and what should be left alone, then quote the work before touching the metal.
Slim bands, plain gold studs, minimal pendants and stacking rings for people who want something wearable on a Tuesday. Same goldsmiths, same finish quality, just a quieter design language than a bridal set.
A few things clients usually want to know before they bring a design to us, whether it is a first engagement ring or a repair that has been sitting in a drawer for years.
For rings and pieces worn often, 18-karat gold holds a setting more securely and keeps its shape over the years. If you want the deep yellow tone that traditional South Asian jewellery is known for, 22-karat is the usual choice for bridal sets, bangles and temple pieces. We look at the design and how you plan to wear it before recommending a karat.
Yes. Many clients come with a family stone or gold from an older piece they no longer wear. We check the condition, confirm the weight and purity, and then discuss how it fits the new design. Anything reused is documented in the quote so you know exactly what went into the finished piece.
A straightforward ring usually takes a few weeks from approved sketch to final polish. Wedding sets and heavier bridal pieces with hand-set stones take longer, especially around festive season. You get a written timeline with the quote, and we update you if anything shifts along the way.
Yes. Claw tightening, chain soldering, clasp replacement, ring resizing and re-polishing are all done by our in-house goldsmiths. We start with a condition check and explain what can be restored and what is better left as it is, so you can decide before any work begins.
We sit down with your ideas, look at reference images or family pieces, and talk through karats, stone selection, sizing and budget. Nothing is cut or cast at that stage. You leave with a clear sense of the design direction and a written quote before committing to the commission.
Warm water, a drop of mild soap and a very soft brush are enough for most pieces. Store each item separately so chains do not tangle and stones do not scratch. Check claws and clasps every few months, and bring anything that feels loose to the studio rather than tightening it at home. Every order includes a written care guide.
Still working out the details of a commission or a repair? Our help page covers sizing, care and common questions, and you can always reach the studio to talk it through.